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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”陌陌影视陌陌影视樱花影院6080影院无人问津2016寻味东莞光语者嫉妒的女孩十四岁的爱情老板来了狼的孩子雨和雪诡咒变节小人物粤语人人都爱雷蒙德第二季一夜富贵正经少主的幸福生活锡人头号外交官第二季激情床伴停尸房收藏蝎子战士（国语版）院子里的女人以后的日子2021长腿怪棕榈树与输电线宋家皇朝辛普森一家第二十五季郊区故事第三季那时的你萝莉的时间飓风营救第二季你好另一半
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”陌陌影视陌陌影视樱花影院6080影院无人问津2016寻味东莞光语者嫉妒的女孩十四岁的爱情老板来了狼的孩子雨和雪诡咒变节小人物粤语人人都爱雷蒙德第二季一夜富贵正经少主的幸福生活锡人头号外交官第二季激情床伴停尸房收藏蝎子战士（国语版）院子里的女人以后的日子2021长腿怪棕榈树与输电线宋家皇朝辛普森一家第二十五季郊区故事第三季那时的你萝莉的时间飓风营救第二季你好另一半